Handmade – The Goods

Maker Stories

This Just In-spiration: Meet Jennifer Zamudio

March 13, 2018

When asked to envision an intriguing kitchen item, your first thought might not be of a sponge. You could say that Jennifer Zamudio is out to change that, but then again, she doesn’t really make sponges. Her Reusable Dish Scrubbers are much more than that: super-cute squares of hand-crocheted nylon tulle inspired the handiwork of her grandmother, Dot. They’re also extra easy to clean, which is something we’d never say about a sponge. Yick.

Reusable Dish Scrubbers | UncommonGoods

We heard tell that Jennifer’s scrubbies had a good story, so we thought it only fitting to reach out to her about nabbing a spot in our This Just In-spiration series, where we chat with artists new to the Uncommon family. Read on for more on Jennifer’s love of handmade napkins, scrubbers, and more, with a little Depeche Mode thrown in for good measure. Continue Reading…

Maker Stories

Coming Clean: Heather Swanepoel on Making Soap & Overcoming Obstacles

January 18, 2018

Heather Swanepoel and her family in her Monroe, GA store.

Monroe, Georgia is a small town with a population weighing in at just under 14,000. But even tiny towns can have big heroes. Meet Heather Swanepoel, soap aficionado, entrepreneur, and unstoppable force for good. She was spending weeks on the road and desperately wanted to fill her free hours with a hobby. When knitting didn’t work out (she could only master scarves), she turned to a soothing task she could actually master: soap making. Soon, people were lining up to purchase her all natural soaps and the rest was delightfully scented history.

“Our success attracted other businesses to Monroe with similar models, and the buying customers followed,” she says. “We won the 2016 Monroe, GA Business of the Year because of the atmosphere we cultivated in the once dying town.”

We had the pleasure of speaking with Heather about her success and how she went from on-the-go mom to superpower entrepreneur one bar of soap at a time. Read (lather?) up on her story below.

Maker Stories

The World Through Orange-Colored Glasses: A Conversation with Stephen Kitras

October 31, 2017

Stephen Kitras in his Fergus, Ontario studio, photos by Jen Coleman

During the first week of October, I traveled to Toronto to attend the annual B Corporation Champions Retreat. (And to celebrate our 10th anniversary as a founding B Corp!) Less than a week before I was set to leave for my first-ever trip to the Great White North, I learned that Stephen Kitras, a long-time member of our maker family, owns and operates the largest hot glass blowing studio in Canada. I immediately contacted the Kitras Art Glass team with fingers crossed, hoping to squeeze in a last minute visit while on their side of the continent. A few days later, I found myself in Fergus, Ontario, thrown into the fire of glassblowing alongside artists who have traveled from all over the world to practice their craft at Stephen’s studio. Continue Reading…

Maker Stories

This Just In-spiration: Meet Robert Hargrave

October 10, 2017

When you think “fine art,” your mind doesn’t usually jump to “plywood.” That is, in large part, why Robert Hargrave’s sculptures are so intriguing. Born in Ohio, raised in Ft. Lauderdale, Florida, and now based in Portland, Oregon, Robert handcrafts exquisite creations from layers of richly colored plywood. At first glance, you’d never guess the material—and, in a way, that’s the point. “In a homogeneous world of sameness, diversity is something to strive for,” Robert says. “My goal is to make products that are a joy to look at, a pleasure to touch, and an honor to own.”

After taking an up-close-and-personal look at Robert’s Layered Hardwood Magic Lamp Sculpture (albeit in the comfort of our Brooklyn office), we here at UncommonGoods knew we just had to find out a bit more about him, like how he manages to make two-by-fours look so darn fancy. Read on for more insight into Robert’s background and day-to-day as a creator, including a breakdown of what motivates him—and a tip o’ the hat to the sculpture that started it all.

Maker Stories

Inside the Artist’s Studio
with KaKyung Cho

October 4, 2017

KaKyung Cho gets pumped about soaps in her cozy workspace in Newburgh, New York; photos by Rachel Orlow

Some 60 miles north of New York City, Newburgh, New York, sits quietly on the western bank of the Hudson River. To some, the name of the city is synonymous with a rough history. For others, it evokes vistas of riverside streets lined with 19th-century mansions, many mere blocks from abandoned homes. To a growing group, however, it’s become a refuge—a place that celebrates local creators, welcoming artists and entrepreneurs into a vibrant community of like-minded folks.

Enter KaKyung Cho, one of many makers who’s forging a home for her business in a newly renovated space in Newburgh. Like the duo behind design firm and longtime Brooklyn fixture Atlas Industries, KaKyung is a recent transplant, still transferring operations from her kitchen in Williamsburg, where she first began crafting soaps with the aid of a rather unlikely household tool—her slow cooker.

As we saw when we visited KaKyung back in July, she does everything herself, from selecting suitable loofahs for her three-piece soap sets to assembling the boxes she uses to package her equilateral soaps, and she does it all in a beautiful space a stone’s throw from Newburgh’s notable historic homes. In her workshop, antique furnishings mingle with massive ferns, delicate crystals, and piles of snacks just begging to be eaten. (Whether said snacks are always there or KaKyung just happens to be a great hostess, we’re not totally sure.) Buoyed by calming vibes and friendly conversation, we munched on burritos, watched KaKyung hand-cut and package her soaps, and asked her a select few questions about what life as a maker in Newburgh looks like. Read on for more.

Maker Stories

Tony Holman’s Problem-Solving Pottery

June 9, 2016

Tony Holman working in his Plano, TX studio, photos by NéQuana Rollings

“Being a full time artist is never easy, but it’s certainly worth the hard work (and gray hairs),” says Tony Holman, a potter who makes practicality and purpose look good.

Tony began honing his pottery skills almost 40 years ago at Indiana University, fine tuned them soon after at Bloomington Pottery, and now runs his own studio in Plano, Texas. It’s here where he creates his line of handcrafted helpers that play a vital part in the well-appointed kitchen.

Tony created these statues in grad school. They now stand in the Holmans’ garden

His kitchen creations—an all-in-one fondue warmer and platter set, self-draining utensil caddy, and omelet maker that turns out fluffy eggs in 45 seconds flat, to name a few—are an irresistible blend of form and function.

Utensil Draining Caddy | UncommonGoods

The Uncommon Life

Waves of Wisdom:
9 Uncommon Facts About Sea Glass

April 4, 2016

Imagine that you’re walking along the beach on a gorgeous sunny day when something shimmery in the wet sand catches your eye. At first you think it might be a rock, still glistening from the tide that washed it in. But as you get closer, you see that it’s really more of a gem. Not a gem in the precious stone sense, but in that “Wow, I just found something really special!” way. It’s sea glass–the smooth, frosty product of broken glass left to tumble in the waves.

Collectors scavenge the shores to find these tiny treasures, and some creative beachcombers even turn bits of found sea glass into beautiful jewelry pieces. Since we recently expanded our own collection of sea and beach glass designs, we decided to learn a little more about the glass “gems” at the center of these wearable works of art. Read on for a few of the uncommon facts we found about sea glass.

Sea Glass Trio Bezel Necklace | UncommonGoods

Sea Glass Trio Bezel Necklace by Carla Garro

Maker Stories

Magic from the Fire: Patrick & Carrie Frost’s Handmade Glass

October 23, 2015

For Patrick and Carrie Frost, the glass is always, well, half full. The husband-and-wife team, who founded Frost Glass in 2012, love being able to create together. “Collaborating and having a combined vision for Frost Glass makes it possible for us to achieve great things,” Patrick told us in a Q&A. “And being an artist teaches you to see potential in everything. Once you embrace that principle, it’s very empowering.”

The Ohio-based pair aim to share that sense of joy with those who buy their handmade wares: “Our goal is to enhance your everyday experience. We try to fill your day with magic,” he says, adding that the best compliment is “hearing that people entertain with our glassware or decorate their homes with our work.” He fills us in on the art of glass-making, the couple’s long studio days, and their inspiration.

When did you and Carrie start creating work together?

We met in the spring of 2009 at the Penland School of Crafts, assisting a master glass maker from the Czech Republic in a two month course. Both of us had experimented in different media through elementary and high school, but glass was always mysterious. Once you have your first encounter, it is hard to break free! No other material offers the same levels of challenge and reward, it is a very addictive experience to have.

What does a typical day in your studio look like?

We usually work in the studio first thing in the morning for about 6-8 hours. Afterwards, we spend a few hours doing administrative tasks, equipment maintenance, packaging and shipping, ordering materials, answering e-mails, and applying to shows and events. A typical week is six days, 10-12 hours a day. We devote one day a week minimum to “office tasks” — this gives us a break from the studio and allows us to catch up on everything else!

How long does it take, from start to finish, to make one piece?

This is a loaded question we get asked at shows — nobody is ever impressed when you tell them 20 minutes! I say we’ve both dedicated a great deal of time and energy over the past 13 years to get to where we can create at our current level. It’s like being a pilot — 10,000 hours makes you comfortable flying. We’ve done that many times over by now!

What are your most essential tools?

One of the great things about glass blowing is that the best tools and techniques have remained unchanged for more than a thousand years. Heat, gravity, how you turn, and the way you move and manipulate the glass without touching it will make the most efficient and elegant form.

Even the hand tools we use are very primitive. Glass work is essentially a throwback technique, which makes it really cool and protects it from being obsolete. There are things that can only be done by hand that a machine cannot replicate and that is what makes it special.

Do you keep anything inspirational around you when you work?

Our rescue dog Jeffrey is a great inspiration! He keeps us grounded and gives us an example of great K-9 courage, overcoming what he had to as a young puppy. Now he keeps us company in the studio or wherever we go.

Do you drink from glasses you make in your home?

We keep some of our glassware handy, but our favorite works are ones from friends or other artists that we’ve worked for. These are the best to drink out of because they remind you of a time, place, and experience you had with someone special.

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