Browsing Category

Maker Stories

Maker Stories

This Just In-spiration: Meet Sashee Chandran

April 20, 2015

Our makers never fail to motivate us, encourage our creativity, and fill us with inspiration. So, when a new design enters our assortment, we’re always excited to learn more about the person behind the product.

What gets an artist going and keeps them creating is certainly worth sharing, and every great connection starts with a simple introduction. Meet Sashee Chandran, the maker behind our new Tea Drop Sampler.

Sashee Chandran | UncommonGoods

Photo by Diego Jimenez/@dejota3

When did you know you wanted to work in tea?
I was always drawn to the intimate and communal nature of tea, and its ability to strengthen the bonds of friends and strangers alike. Throughout my life, I have fantasized about owning a tea shop. I even kept a little booklet on hand for when I felt inspired to write down what my tea shop would serve. Later, through my natural inclination to make, share and talk tea with others, I came across many who found the traditional tea rituals too daunting or time consuming. With these challenges to overcome, Tea Drops was born. It would be the first tea to create an all encompassing experience with the rich taste and tradition of loose tea, and a pinch of raw organic sugar for a no-fuss preparation.

What was the most exciting thing about becoming an entrepreneur?
The most exciting part is knowing that on a daily basis, I am tackling the challenge of making tea more accessible and enjoyable to people, and little by little I’m making progress on that goal. It isn’t about meeting one huge goal, it’s really about accomplishing small victories along the way. My team and I use the hashtag #smallvictories a lot, to celebrate something as simple as an easy craft fair set up to gaining a new retail account.

What does your typical day in your workspace look like?
I’m incredibly lucky to work out of a certified kitchen in the beautiful hills of Los Gatos, California. We peer out our kitchen window and have a stunning view of deer, trees, and other natural beauty as we grind our organic tea and spices. We are embraced by the delcious scents of tea and spices all day. We also have a packaging area where we prep and wrap all of our teas by hand so they are ready to be shipped and enjoyed by you!

Shashee Chandran | UncommonGoods

Photo by Diego Jimenez/@dejota3

Is there a trinket, talisman, or other inspirational object you keep near? If so, what is it and what does it mean to you?
I take my Khordz Mug everywhere with me. I drink an insane amount of tea per day (10-15 cups), so it’s critical I have a portable tea cup that can go anywhere with me, no matter what the activity. It’s like my blanky.

Imagine you just showed your work to a kindergartner for the first time. What do you think he/she would say?
“Oooooh. How coool. YUMMMY, too.”

We actually have a lot of kids who come up to our booth at various craft shows, and we always demo how our Tea Drops dissolve in hot water. They are both amazed, intrigued, and love the taste as well. It’s wonderful to see parents sharing the love of tea so early on.

Sashee Chandran | UncommonGoods

Right photo by Diego Jimenez/@dejota3

 

What quote or mantra keeps you motivated?
I actually have many. Here are a few of my favorites:

“As you walk, the way appears.”Rumi, Persian poet and Sufi master

Fear is obviously a huge factor that can hold you back. I always love being reminded that I do not need to have all of the answers when I continue on my journey. I have to have faith that guidance will appear the more entrenched I become in my path/work.

“I don’t want no mediocre.” –T.I., Rapper

My small team and I often blast this song when prepping for a show or order, because quite frankly, we can’t tolerate medicore.

“Nothing in this world will take the place of persistence. Talent will not. Genius will not. Education will not. Persistence and dedication alone are omnipotent.” – President Calvin Coolidge

It’s pretty self-explanatory – persistence is key. Especially when I feel intimidated, I always have to remember that.

Video courtesy of Ezra Productions

Buy the Tea Sampler | UncommonGoods

Maker Stories

High Society: Elegant Roach Clip Jewelry Designs

April 17, 2015

More than any other word, “roaring” is used to describe the 1920s. But despite the word being synonymous with “boisterous” and “rowdy,” mention of the decade usually conjures images of sophisticated parties, Art Deco, and beautiful women in stylish clothing dancing the Charleston. Sure, the parties may have been fueled by bootlegged booze and a crazy new style of music, but tales of the Jazz Age often leave today’s daydreamers feeling nostalgia for the class and culture of a decade gone by.

Erin Rose Gardner in her studio light | UncommonGoods

Intrigued by the melding of sophistication and excess that made the ‘20s such an interesting time, Erin Rose Gardner created a line of Art Deco jewelry “inspired by the significant changes in lifestyle & culture” of the period. This is a good place to mention that each piece in this collection of elegant designs also serves as a fully functional roach clip.


Mary Jane's Necklace by Erin Rose Gardner | UncommonGoods

One of these significant changes was the ratification of the 18th Amendment, which ushered in prohibition. During the 1920s it was illegal to manufacture, sell, or transport alcohol. Of course, prohibition eventually came to an end when the 21st amendment repealed its predecessor, and now adults across the nation are free to drink gin that didn’t get its kick in a bathtub.

Today the temperance movement against alcoholic beverage seems like the distant past, considering the prevalence of bars and nightclubs across the country, pop culture references to imbibing, and even some evidence that drinking in moderation can actually be good for you.

Erin’s work speaks to a sort of modern prohibition that’s happening now, the war on pot. “The modern prohibition movement is part of the current conversation,” said Erin. “It seems like we may be at the beginning of the end with individual states voting for legalization. I find it interesting to think about how political policies shift social norms.”

Erin working in her studio.
Studying metalsmithing and jewelry at the University of Oregon gave Erin training not only in the technical aspect of her craft, but also foundations in conceptualization and research. “With my work, I am constantly looking for connections and meaning,” she explained. “As a producer of maker-made objects, I want to create things that people find beautiful and well-crafted, but also interesting.”

The layered story of Erin’s Mary Jane’s Necklace and Earrings may seem to start with the style of the ‘20s and a commentary on modern prohibition, but the “connections and meaning” she spoke of go even deeper. In fact, according to Erin, the designs were born from a personal narrative:

It started over ten years ago, I stole my mother’s roach clip. She had not used it in years, but kept it poked into a houseplant as it held sentimental value. As a child I thought this thing was a toy or special pair of medical tweezers. Although I wasn’t sure what it was, I did know this metal thing was special because it was a gift from her sister when they were teenagers. When my parents separated, my mom forgot her roach clip in the plant, so I took it. I lost it within four hours and never told her. (She now knows because my baby sister is a tattletale!)

An online image search lead to a vintage clip that looked like Erin’s mother’s made by a company called Squirkenworks run by furniture artist Garry Knox Bennett. Erin became interested in how the artist questioned the “preciousness” of craft and explored non-traditional materials. Squirkenworks sold electroplated roach clips across the country and still operates today as Gold Seal Plating. “The passive income provided by this business has allowed Bennett the freedom make furniture that pushes boundaries and is not constrained by market expectations,” Erin explained.

Each of Erin’s own clips is completely handmade and features a unique sliding mechanism inspired by the one Garry Knox Bennett invented in the 1960s. (She actually had the opportunity to meet Bennett, discuss her project, and take a look at this collection of clips and other works when she visited him in Oakland, CA last summer.)

Erin's Anvil

Using a hammer and anvil, Erin shapes simple brass rods into elegant contours. “I strive for perfect symmetry and function as I make each individual pendant or earring,” she said. “Each piece features a unique sliding mechanism. Simply pull the slide back and the clip springs open. Then to clip, move the slider forward and the device is tightly secured. The tips are serrated which gives optimal grip.” The brass is transformed again during the final step in the artist’s process, when she polishes each piece and electroplates it with 24k gold.

Erin's Materials
Erin commented that, like “every metalsmith,” she fell in love with the material. It’s easy to see this love, and her dedication to the process, when you look at the detail in each handcrafted piece. The collection appeals not only to those with 1920s fashion sense or fond memories of the roach clips that became popular in the ‘60s. The designs are fully functional for the enjoyment of those in legal territory, statement pieces for marijuana legalization supporters, and—as Erin put it herself—“well crafted, but also interesting” adornments for those looking for high quality, uncommon jewelry.



Erin Rose Gardner | UncommonGoods

Maker Stories

This Just In-spiration: Meet Carolyn Gavin

April 6, 2015

Our makers never fail to motivate us, encourage our creativity, and fill us with inspiration. So, when a new design enters our assortment, we’re always excited to learn more about the person behind the product.

What gets an artist going and keeps them creating is certainly worth sharing, and every great connection starts with a simple introduction. Meet Carolyn Gavin, the artist behind our new City Prints.

Carolyn Gavin | UncommonGoods

 Carolyn Gavin photo by Virginia Macdonald /Instagram

When did you know you wanted to be an artist?
I knew at a very early age–maybe 3 or 4–that I wanted to be an artist. It just looked like a really cool something to do. I had watched my aunt do her
graphic design thing and I was instantly hooked! I watched as she drew, painted, cut and paste, and created beautiful images. From then on everything I did was fueled by my desire to create and the joy I felt in the process. I also come from a very creative family and we all seem to do something with the arts so its in my blood for sure.

What was the most exciting thing about becoming a professional artist?
Looking back, there have been many amazing milestones… here are 3:
1) Launching my family company Ecojot was incredibly exciting and very timely.
2) Getting signed by my fabulous agent Lilla Rogers Studios. I knew then that I had come a long way; not necessarily arrived but somewhere in-between.
3) Being able to actually earn a living from my design work. [It] is hugely possible to do if you have a great style and are willing to work like a “dog” to get there.

What does your typical day in the studio look like?
Paint, paper, brushes, computer, water, snacks, dog toys, bulldog, sunshine, and happiness.

Is there a trinket, talisman, or other inspirational object you keep near? If so, what is it and what does it mean to you?
My studio is filled with colorful things and stuff to inspire me. I have a sweet collection of precious stones which I keep close by plus a tin butterfly pin from my childhood and a tiny brass whale my daughter and husband found at a garage sale in Montreal.

City Prints by Carolyn Gavin | UncommonGoodsSan Francisco City Print by Carolyn Gavin

Imagine you just showed your work to a kindergartner for the first time. What do you think they would say?
“Mmm, colorful and good!”

What quote or mantra keeps you motivated?
I have a few, but I LOVE:
“The harder you work, the luckier you get.” – Gary Player
“The pure and simple truth is rarely pure and never simple.” – Oscar Wilde
“Meet your needs and limit your wants.” – Gandhi

 

Buy Carolyn's Prints | UncommonGoods

Maker Stories

My Hammock Supports Me (And a Lot of Other People)

April 3, 2015

Do Good Hammock | UncommonGoods

Some of my most blissful hours over the last couple of years have been spent lying in a hammock. This would be less surprising if I didn’t live in an old Brooklyn apartment building where the tenants are not allowed to use the back yard. Yes, I’m a little eccentric.

Do Good Hammock Maker Story | UncommonGoods

Green Dome Garden, Williamsburg, Brooklyn. Photo by Wally Gobetz. Creative Commons License.

Like most people who work at UncommonGoods, I’m also more than a little obsessed with sustainability. One hot night a couple of summers ago, some friends and I were chatting in a neighborhood garden. I told them I’d been trying to think of ways to stay cool in the summer without using a lot of electricity.

fanI’d installed ceiling fans in my apartment, and now carried a handheld folding fan with me everywhere. “They’re underrated!” I stolidly affirmed.

 

Amir in Green Dome Garden

Plant and hammock enthusiast Amir Yarkoni, co-creator of the Green Dome Garden. Photo by Meredith Chesney. Used by permission.

“Hammocks!” declared Amir. “Hammocks are the best! The air can circulate around you and it keeps you cool!”

Yes! A hammock! I needed one immediately. Wanting eclipsed reasoning. I didn’t bother to wonder where I’d hang it in my apartment, with its flimsy, sheetrock walls.Do Good Hammock | UncommonGoods

Hammock closeup

Photo courtesy Yellow Leaf Hammocks.

We sell hammocks at UG. I’d never looked at ours closely. Now I did. It looked perfect. What Amir had recommended was an open weave Mayan-style hammock (as opposed to Brazilian style, made of tightly-woven fabric).

Do Good Hammock | UncommonGoods

“The indians sleep in a bed they call an ‘hamaca’ which looks like a piece of cloth with both an open and tight weave, like a net … made of cotton … about 2.5 or 3 yards long, with many henequen twine strings at either end which can be hung at any height. They are good beds, and clean … and since the weather is warm they require no covers at all … and they are portable so a child can carry it over the arm.” –Gonzalo Fernández de Oviedo y Valdés, 1535, Wikipedia. Source: ibiblio.

Hammocks were (probably) invented by aboriginal people of the Caribbean and Central America. UncommonGoods’s Mayan-style hammocks are woven by aboriginal people as well–10,000 miles away, in Thailand.

In a small village in the north Thailand mountains, members of a dwindling, endangered tribe called the Mlabri learned how to make what are arguably the best hammocks in the world. Yet hammocks were never part of their culture. Making and selling them was a brilliant business move to preserve their tribe in the face of unwelcome changes to their traditional way of life.

Do Good Hammock | UncommonGoods

Mlabri dance in their traditional clothing, loin cloths, 1959. Photo by Boonserm Satrabhaya. Northern Thai Information Center, Chiang Mai University Library.

Do Good Hammock | UncommonGoods

Mlabri temporary shelter made of fresh leaves, 1959. Photo by Boonserm Satrabhaya. Northern Thai Information Center, Chiang Mai University Library.

Up until a few decades ago the Mlabri tribe lived a nomadic, Stone Age existence in the mountains of Thailand and Laos. Hunter-gatherers who believed farming brought bad luck, they ate roots, wild fruits, and small game. They mostly wore loin cloths. They had no written language. For shelter, they built tiny lean-to’s out of bamboo and banana leaves where they stayed for a week or so until the banana leaves yellowed and shriveled. By then, they would have exhausted the area’s food resources anyway. Their beliefs, as well as necessity, dictated that they move on at that point, and build another temporary shelter somewhere else.

Do Good Hammock | UncommonGoods

An abandoned Mlabri shelter, with the famous yellow leaves. Photo by Pat Mongkron. Used with permission

Because all that other people ever saw of them were the dead banana leaves on their little shacks, they called them “Phaw Tong Luang” (the spirits/ghosts of the yellow leaves). (The Mlabri, being real people, prefer not to be called “ghosts,” but they’re fine with the “yellow leaf” part.)

Do Good Hammock | UncommonGoods

Mlabri in destroyed forest area. Photo by Patrick Aventurier. Used with permission. (http://www.patrickaventurier.com/) Flickr

The tropical jungle where the Mlabri lived began to shrink dramatically during the 1970s. Intense guerilla combat in the area–spilled over from the Vietnam war–along with teak logging and agriculture, destroyed so much forest that the Mlabri eventually couldn’t survive the way they had for nearly a thousand years. Tigers and malaria had always been dangers; starvation was now added to the list. By the 1990s, there were only 300 Mlabri left.

Hmong farmers made them their slaves through a combination of manipulation and force. They schooled them in slash-and-burn agriculture and put them (including children) to work in dangerously pesticide-heavy fields, where they also often ate and slept. Drug traffickers used them; sex traffickers preyed on them; they were made to perform in demeaning faux primitive tourist shows. Not considered citizens by the Thai government because they had no birth certificates, they had no civil rights. Suicide, virtually unknown in the tribe before this, became another danger.

Mlabri women making traditional wild jute bags. They have an open, stretchable weave similar to that of Mayan hammocks. 

An American couple, Mary and Gene Long, moved to the area as missionaries in 1978. Horrified by the condition of the Mlabri people, the couple dedicated themselves to helping them. Gene had an “aha” moment after observing some of the women skillfully weaving net bags from wild jute: If these weaving whizzes learned how to make marketable hammocks, maybe they could earn a decent living.

“A Path to Prosperity, The Mlabri People and Yellow Leaf Hammocks” 

It worked–though not without causing conflict with the Hmong, who weren’t happy about losing their ultra-cheap laborers. Decades later, after learning not only how to make hammocks, but also some fundamental post-Stone Age things like “What is money?”, the Mlabri have largely liberated themselves from peonage. Hammock weaving provides a 650% increase over average hill tribe wages, enough to move families from subsistence living to the middle class.

Having gained strength and confidence through the improvements in their circumstances, the Mlabri successfully lobbied the Thai government for their civil rights, including citizenship, which bequeaths health and education benefits. Mlabri children can attend school for the first time in the tribe’s history.

Do Good Hammock | UncommonGoods

Mlabri weavers in their village hammock making center. Photo courtesy of Yellow Leaf Hammocks.

Hammock weaving turned out to be the perfect job for many of the Mlabri, because they can do it at home or in their village hammock center, at times convenient to them, without bosses. Mothers (the weavers are mostly, but not all, women) can work around their childcare schedules. It’s safe and sustainable, both environmentally and economically.

Do Good Hammock | UncommonGoods

Photo courtesy of Yellow Leaf Hammocks.

Each hammock is woven by hand on a simple loom. It can take up to 7 days, 150,000 loops and 3.5 miles of yarn to create one. Machines can’t take away these jobs because they can’t recreate the Mlabris’ meticulous craftsmanship and special weaves. The tribe has worked with textile engineers to develop weaving designs that improve on the basic Mayan type, and mold-impervious yarn that holds its brilliant colors without fading.

In 2010, a 26 year-old, hammock-loving American, Joe Demin, bought a Mlabri hammock while traveling in Thailand. So smitten was he by the heavenly hang of this hammock, that he took a 600-mile detour into the jungle to meet the tribe. Right then and there in the village, he decided to quit his job and devote himself to amping up sales so that more of the Mlabri could work without seasonal slowdowns (when they’d have to return to slash-and-burn farming). He convinced his girlfriend Rachel Connors to join him, and together they created a company to accomplish that.

To expand the market for the Mlabri hammocks, the duo has worked with organizations like the Unreasonable Institute and Kiva, and like UncommonGoods, is a B Corp.

Do Good Hammock | UncommonGoods

Photo courtesy of Yellow Leaf Hammocks.

Because Mlabri hammocks are gorgeous, sturdy, and indescribably comfortable, they appeal to people around the globe. Ever-increasing sales now support over 200 weavers.

Do Good Hammock | UncommonGoods

Note: We now sell a different color/pattern, not the one in this photo. Otherwise it’s identical, though.

As for me, Amir was right. On the most unbearably hot, humid summer days, I hang my hammock on my fire escape with a couple of big dollar store carabiners, prop up a cheap beach umbrella (freegan’d from a subway stop where someone had forgotten it) over my head, and bliss out with my tablet. My sweaty skin catches every cooling breeze. The hammock conforms to every part of my body, with no pressure points anywhere. It’s heaven.

Eddie in window

My cat Eddie likes to loaf alongside me in the windowsill.

Let others drive for hours to get to the beach or the country; I can’t wait for the weather to warm up enough that I can start up my blissfully comfortable, low-carbon, flip-proof hammock summer lifestyle again. I owe 150,000 thanks–one for each loop–to the skilled Mlabri weavers who make it possible.

Get the Do Good Hammock | UncommonGoods

Maker Stories

Inside the Artist’s Studio with Molly McGrath

March 27, 2015

Molly McGrath | UncommonGoods

Molly McGrath is a laser-cutting artist who marries her architecture training with her love for geometric shapes and bright hues. Molly’s statement art pieces are known for intricacy and precision, yet words like “lively” and ”fun” still come to mind when you see them. I visited Molly’s lovely studio in the heart of The Mission in San Francisco and it wasn’t a surprise that her open space mimicked her artwork’s aesthetic – flashing lots of playfulness with even more color. Her studio held lots of character, from her personable knick-knacks to her hand painted geometric doors, I simply couldn’t focus on just one thing. Natural light flooded in, her laser cut designs peeked out from drawers and vignettes, and her desktops were scattered with signs of production. I felt like I was standing in the middle of a real life Pinterest board titled “Interior Eye Candy.” It was clear that Molly built a home away from home – a space that was truly hers to the very core.

Molly McGrath | UncommonGoods

Creatives often try their best to limit distractions in order to stay focused on their craft. Yet it was procrastination for Molly that ignited the initial spark for her small business. As Molly told me, “I used a laser cutter extensively in architecture school – making models mostly out of birch plywood. I have always made jewelry and one day, while procrastinating, I decided to make some earrings on the laser cutter. That was the beginning!” Read about Molly’s friends Larry and Lola, what quote keeps her inspired, and her current obsession to perfect her craft!

Continue Reading…

Maker Stories

Shattered Glass, Shining Art

March 27, 2015

How do shards of colored glass become beautiful, illuminated mini-mosaics? Vawn and Mike Gray answer that question with this video taking us through their step-by-step process.

The video certainly brightened our day, but the technique used to create them isn’t the only thing inspiring about Vawn and Mike’s nightlights. Each piece is actually made from recycled bottle glass. To learn more about how the Grays turn used bottles into an assortment of colorful glass pieces, check out their Smasher video.

Maker Stories

Ali Bennaim and Ximena Chouza: Out-of-this World Fashion

March 17, 2015

Inspired and entranced by the breathtaking splendor of outer space, Ali Bennaim and Ximena Chouza bring the marvels of the universe down to Earth in the form of interstellar accessories. The makers met while attending Parsons the New School for Design in New York and bonded over their captivation with the cosmos and their passion for fashion. Although Ali is from Caracas, Venezuela, and Ximena is from Mexico City, after graduating they set up shop in Brooklyn where they design unique textiles that take their cues from the majesty and mystery of the universe.

Ali Bennaim and Ximena Chouza | UncommonGoods

The self-proclaimed “space-crazed” duo explore the vast archive of images captured by NASA’s Hubble Space Telescope. This invaluable astronomical tool orbits outside the distortion of Earth’s atmosphere, capturing high-resolution photographs that have led to many breakthroughs in astrophysics. Some of these luminous shots, such as the phases of the moon, were snapped close to home, while others that capture stellar celestial bodies and vast networks of gas clouds thousands of light years away offer us a deep view into space and time.

Hubble Telescope Milky Way Scarf | UncommonGoods

 Hubble Telescope Milky Way Scarf

 

Ali and Ximena say that working with these incredible views of space is the most rewarding part of their process. “These are very special and beautiful images and we are grateful to be able to work with them,” they say. After preparing the photographs digitally for printing, the designers apply the imagery to feather-light wool gauze scarves that are cut and finished by hand.

The starry-eyed pair is committed to sourcing their materials and producing everything in their home base of the Big Apple. “We always make sure that our materials are of the best quality we can get,” they say. “Most people are very impressed by the quality and vibrancy of our prints.”

Designing the Milkyway Scarf

Though they may have lofty ambitions, they also say that they’ll never forget their earthly beginnings and aim to remain environmentally conscious. They employ a waste-saving technique, carefully designing every accessory to make the most of every inch of fabric, leaving next to nothing for the landfill.

Maker Stories

Inside the Artist’s Studio with Richard Upchurch

March 12, 2015

Richard Upchurch | UncommonGoods

As UncommonGoods photographer Emily and I made our way to visit Richard Upchurch’s studio, our cab driver quizzed us on some of the local neighborhood acronyms. “Do you know what Tribeca stands for?” he stared at us in his rear-view mirror. “Triangle below Canal Street,” we laughed. “What about Dumbo?” “Down under the Manhattan Bridge Overpass.” we said in unison. “Do you know why this neighborhood is called Red Hook?” he mused as we turned down a one-way street lined with rugged facades. We were stumped. “Because of all these brick buildings?” I guessed. “I don’t think so!” he teased. “But seriously, I’m not sure. Do you know?” he peered back in the mirror.

Out of guesses, I stared out the window at the jumble of modern and old-fashioned storefronts. With its scattered cobblestone streets and uncanny industrial vibe (a holdover from when it was a busy shipping center), I felt like I was back in my old Pittsburgh neighborhood. That is, until I saw the beautiful view of New York Bay and the Statue of Liberty directly across from the studio’s dome shaped doors. 

Richard Upchurch | UncommonGoods

Richard introduced himself with a comforting flair of southern hospitality. As soon as he learned about Emily’s Georgia roots, he started describing his favorite Georgia venues where he had previously performed as a touring musician, setting the stage for an afternoon with one of the best storytellers either of us had met in a long time. He walked us around his studio and described how Lil’ MibZoots, and Loopy Lou grew from blocks of wood into sound recording gadgets. He related the first days of his business brandnewnoise, and how it’s grown to become an influential internship provider for inner-city students. He gave us the inside scoop behind the bright green frog in the center of his workstation. (A project that involved a crazy collaboration with Wayne Coyne from The Flaming Lips!) We pointed to his old wooden thumb piano, among other oddities, and he elaborated with charming, sentimental tales. He pointed toward his favorite barbecue joint across the street, distinguishing all of the clandestine spots that make Red Hook so special. With each new story, he built the kind of environment that made us want to settle into rocking chairs, crack open beers, and chat about life. After meeting Richard, I am not surprised that he decided to set up shop in a neighborhood that’s so full of history, character, and unexpected treasures.

Whether you’re looking for creative inspiration, or just hoping to get a sneak peek into an artist’s everyday life, you’re in good company. Pull up your favorite chair, sit back, and enjoy our tour of Richard’s Brooklyn Studio.

Continue Reading…